Category Archives: Wine and wineries

Another post from the Wine Guy! Romanelli Vineyards

Montepulciano was an interesting location, but it’s time to get back to Umbria. Today, we’re going to visit the Romanelli vineyards, which lies 1000 feet up on the Colle San Clemente, one of the northern slopes leading to Montefalco with a lovely view of Assisi and its surrounding hill towns in the distance.

Monte Subasio rising up behind Assisi.
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The cantina sits just above the vineyards abutting Montefalco in what appears on approach to be a neighborhood, but quickly turns into rolling fields of grapes and olive trees an you descend from the road into the property itself. For anyone wishing to follow our footsteps, I would recommend an excellent GPS–which we did not have–or good eyesight and luck. The signs to the vineyard are very small and seemingly placed at random. We required a quick trip into Montefalco for directions; fortunately the property is well known and we had no problems after that.

At the Romanelli cantina we were greeted by Devis(!), the Romanelli family member in charge of all matters related to wine. As you might imagine, we were rather struck by the name. It turns out that it was somewhat a fad in Montefalco some thirty years or so ago, and there are, in fact, three other men named Devis in Montefalco. Not bad for a town with 5,800 inhabitants!

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Having straightened out the matter of his name, Devis proceeded to give us an overview of the family and its property. The Romanellis have owned the property in Montefalco since 1978, when Davis’s father and grandfather purchased it and split it into olive trees (34 acres) and vines (16 acres). The vineyards themselves are somewhat sheltered from the prevailing winds by the hills themselves and are in a clay soil rich in lime. Today, the property is managed between Devis and Fabio, who handles the olive oil side of the business. Devis is quite the jack of all trades, handling the management of the vineyards, the winemaking tasks and sales.

We started our tasting with a Grechetto 2014. It was striking, exhibiting considerably more body and varietal character than we expected from the workhorse of the Umbrian whites. Its characteristic minerality was well balanced by a lightly floral bouquet and a touch of fruitiness that I found unusual. Given that 2014 was an unusually cool, wet year in Umbria, I was very interested in discussing the wine with Devis. He told me that the sheltered location of the vineyards protected them from the unusually wet weather last year and enabled him to harvest in late September, two to three weeks later than most vineyards bring in grechetto. In addition, the wine underwnt a long, slow fermentation at 15 degrees Centigrade followed by six months in stainless steel tanks. The wine undergoes a further two months of repose after bottling to bring out the maximum from the Grechetto. A hit, this one.

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Now it was time for the reds (Romanelli, like most producers around Montefalco, is largely dedicated to red wines). Devis first produced a Montefalco Rosso Riserva 2010. This Rosso, as with any DOCG Montefalco Rosso, is mostly Sangiovese (65%) and Sagrantino (15%), but also includes contributions of Merlot (10%) and Cabernet Sauvignon (10%). As with all his wines, the grapes in this one were harvested relatively late (mid to late October), given 45 days of maceration on the skins and plenty of barrel aging in both small (225 liter) and large (2500 liter) French oak barrels. This produces a monster Montefalco Rosso, by far the biggest I’ve ever tried. The fruitiness of the Sangiovese and the Merlot is exquisitely balanced by the somewhat more austere and tannic Cabernet and Sagrantino. It was very full in the mouth, with cherry notes, with a long, very smooth finish. Devis told me that because he prefers to extensively age his Montefalco Rossos, he produces only a Riserva. Instead of producing a regular Montefalco Rosso, which would require less aging, he prefers to produce a non-oaked wine for everyday drinking, called Predara, Sangiovese (80%) with Sagrantino (12%) and Merlot (8%). It sounds intriguing, but it was all gone. Something for later.

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This being Montefalco, the 2010 Sagrantino was rolled out with considerable ceremony including changing the glasses, pouring a small bit of wine in each glass and spinning it in order to coat the inside and a bit of inhaling and sighing (It’s great to see the winemakers doing what they like). The Sagrantino used in this wine is hand-selected from the entire crop, the rest going to the Montefalco Rosso (also hand-selected) and the Predara. As with his other wines, this one received extensive maceration (45-60 days) on the skins to extract the maximum character to the wine, and then spent 18 months in a variety of large and small French oak barrels. After this aging process, the wine spent 10 months in the bottle before being released to the public. This, too, was a blockbuster. Tremendously perfumed, with an earthy, tobacco-like character underneath. The tannins have been tamed and the wine is possessed of a full body and roundness with fruity notes. The finish here was also excellent. I’m sure it could go longer in the bottle, but it’s drinking fabulously now.

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We followed the Sagrantino up with its passito version. As you probably remember, passito is the traditional style of winemaking in Montefalco, where the grapes are laid out in a sheltered area and allowed to dry for several months, the wine being produced normally around Easter time after a short stay in oak barrels. The wine is usually made very dry, as was this one, and I can only compare it to a vintage–not a ruby or a tawny–port. It has a strong character of the grape, but almost no sweetness. I find it a bit too subtle, but the Umbrians love it and almost every producer makes one. If you’re interested, you’ll definitely have to come to Umbria to try this one. I don’t think much gets past the Umbrian border.

Devis rounded the tasting out with Romanelli’s 2013 olive oil on slices of toasted bread. Heavenly. The oil was a greenish-gold with a strong hint of straw and a vegetal note that was just right. Although Romanelli is justifiably well known for its wines, it is also a major, prize-winning producer of olive oil. The weather last year was so bad that the entire crop was wiped out. Devis assured us that this year, which has been hot and very dry, the prospects of an successful season are very high. Nancy was very enthused. She has already planned a visit for us in November, when the new oil comes out. Details at that time.

Finally, a short note for my grappa-loving friends. Romanetti makes a Grappa di Sagrantino that is one of the best grappas I have ever tasted. It was unusually smooth with a magnificent finish, completely lacking the sometimes oily character and schnapps-like bite that grappas can have. Grappa production by vineyards was hampered for many years by Italian laws forbidding winemakers to sell distilled spirits, effectively separating the wine business from anything to do with grappa. Those days are fortunately over now, and vineyards such as Romanelli are working hard to produce grappas of an equal quality to the wines they make. Lucky for us!

Almost all gone…
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Guess who is back?! The wine guy with a post about Montepulciano and the Vino Nobile

Nancy and I are travelling to the Tuscan town of Montepulciano to have lunch with friends at La Grotta, one of our favorite restaurants. Given that I have to go anyway–I’m hardly fighting it–I’ve decided to interrupt my researches here in Umbria and check out some Tuscan wine. No sense missing an opportunity to try something new. I’ve targeted the Tenute del Cerro, a well known produttore in the district of Acquaviva, a few kilometers east of Montalcino in the rolling Colli Senesi–the Sienese Hills.

We have decided to take the direct route, the Super Strada SS140 (take this description with a grain of salt) which winds back and forth across the Tuscan-Umbrian border, climbs to about 1800 feet and descends to the lovely town of Tuoro on Lake Trasimeno, Italy’s largest (outside of Guarda) and and one of its most beautiful lakes. From here, we follow the autostrada to Florence for a bit and then swing south-west on the SP10/SP8 through rolling hills and tidy, picturesque villages towards Montepulciano.

Time for some background: The Tuscans and the Umbrians don’t like each other very much. Throughout most of the middle ages and up to the establishment of united Italy in the 1870’s, Umbria belonged the Papal States: that is, it was a possession of the Catholic Church. Tuscany at the same time was the site of feuding dukedoms struggling to control the province. During this time, Tuscany played unwilling host to foreign armies from France, Spain, Germany and Austria as well as armies from “neighbors” such as Venice, Milan and Naples. History has definitely been a bit messier there. In any case, the Tuscans see the Umbrians as happy-go-lucky, rather simple peasant folk who have lived their lives as welfare kings and queens in the bosom of the Mother Church while they have always had to struggle for their existence. The Umbrians, on the other hand, see the Tuscans as crude money-grubbing materialists who have lost all touch with the virtues of the simple life and who take advantage of their cultural heritage to squeeze every nickle out of the hapless tourists who visit them.

Enough of these musings–back to wine. The odd thing to remember about the Vino Nobile di Montepulciano is that it doesn’t have any Montepulciano grapes in it. The Montepulciano grape is the heavy hitter of the central Adriatic coast, appearing in excellent wines such as Montepulciano d’Abruzzo, Rosso Piceno and Conero. The Vino Nobile, on the other hand, is, like most Tuscan wines, made primarily from Sangiovese. The town of Montepulciano, due to its fame, was granted a DOC of its own in spite of the confusion. In fact, the town of Montepulciano is so famous in winemaking that Il Vino Nobile di Montepulciano became the first DOCG created.
Although the winery, Tenute del Cerro uses the small town of Acquaviva di Montepulciano as its address, it is actually about 5 kilometers outside the town on a “white road”. “White Road” in Italiance parlance covers anything from a dirt road to a goat path. This one was on the finer side, being a dusty country gravel road just big enough for two cars to squeeze by. We tried ignore all the gravel banging the bottom of the car as we made our way gently through rolling fields of green grapes overlooked by gorgeously painted Italian country houses. At a small bend in the road, we spied our goal.

The Tenute del Cerro consists of an elegant, gated entrance forking in one direction to a truely elegant palazzo, the Villa Granzianella, an agriturismo with meals and rooms, on one side and the lovely cantina Tenute del Cerro on the other. We were greeted at the cantina by Giovanni, a tall young man in his mid twenties from Milan who is doing an internship here as part of his studies in Hospitality Management at the University. He is aiming to specialize as a sommelier–why didn’t I think of this instead of engineering? He gave us an interesting talk on the property, the Etruscan surroundings and the winemaking on the property. The winery is very proud of its ancient Etruscan heritage, and pays homage to it through the labels it uses for its wines.

Entrance.
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Giovanni
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Tasting room
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Tasting room
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Montepulciano on it’s hilltop nearby.
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View across the vine-laden countryside.
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Olive trees.
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More olive trees
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Seating on the lawn of the agriturismo. Beautiful views.
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Our first tasting was a pleasant surprise: the Vermentino 2013. Vermentino is a white grape that I have always associated with Sardinia, although it does appear under various other names in the Piedmonte, Liguria and Corsica. I’ve always found it rather light and inoffensive, but unremarkable in character. If you can remember the days of Bolla Soave, you’ll have an idea where I’m coming from–it goes down nicely but makes hardly any impression. I was surprised to find that it is cultivated to a modest extent in Tuscany. This 100% Vermentino was big and fat in the mouth, unlike the rather thin impression that most Vermentinos have made on me it the past. It had a lovely straw color, with a fruity nose. I found it a bit mineral and steely on the tongue with a nice long finish. A definite keeper for a nice house wine and I’m sure it would go nicely with fish, pasta or light white meats. I’m going to have to extend my investigation of Vermintino to see if the Sardinians are keeping the good ones to themselves, or whether this is just a Tuscan terroir effect.

We followed the Vermintino with a Chianti Colli Senese 2012. Although the property specializes in Vino Nobile, the winemakers feel that there are many other varietals that blend extremely well with Sangiovese that produce lighter, more fragrant and more immediately drinkable reds than the Vino Nobile, which is a wine of considerable heft and requires aging. Because Montepulciano lies in the Colli Senesi (Sienese Hills) district of Chianti and these blends meet the requirements of the DOC Chianti Colli Senese they are sold as such. This chianti was a light cherry with ruby undertones. It was light and tingling on the tongue, with great fruit and a tiny touch of tannin from six months in large oak barrels. It had an excellent finish, leaving just a hint of jam. Given its character, I think it would make a great accompaniment for pasta, pork and grilled meats. We have enjoyed it several times with pastas with red sauce and chicken and it has been perfect.

These labels are using a text font reminiscent of the ancient Etruscan writing. This is the Chianti.
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The Chianti was followed by the centerpiece, the Vino Nobile di Montepulciano 2012. This wine, 90% sangiovese and 10% mammolo, an antique tuscan grape that confers a vivid purple hue to the wine. (For trivia lovers: Mammolo is what the Italians call Bashful of the seven dwarfs.) The wine has an imposing color, the cherry red of the sangiovese darkened by the purple tint of the mammolo. The nose is floral, with a hint of vanilla. In the mouth it is very full, with a moderate touch of oak from 12 months in large slavonian oak barrels (botte). The wine sports a moderate touch of tannin that tells me it would be rewarding to lay this down for a while if you are capable–I am not. Giovanni is of the opinion that it could go about ten years. It is one of the best Vino Nobiles I have tried in a while.

The Vino Nobile di Montepulciano
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Although we begged for more, the top of the line Vino Nobile “Antica Chiusina” had been drunk up–damn you British or German tourists or whomever! Another reason to return for further investigation, so I’m not completely down about it. In place of the Antica Chiusina, Giovanni surprised us with an alternative offering he was very fond of, a Sagrantino from Umbria(!). It turns out that Tenute del Cerro is one of four autonomous wineries owned by Unipol, a large insurance agency. The other wineries are: la Poderina in Montalcino; Monterufoli, in the Val di Cornia outside Pisa; and Còlpetrone, near Montefalco. We decided to pass on the offer. There’s no sense getting ahead of ourselves in our investigations. Besides, lunch was calling in Montepulciano. Naturally with a nice bottle of the Vino Nobile. More on that later. Ciao!

[Nancy here. Luther did not include the fact that this cooperative of wineries also includes an olive oil producer that coincidentally is just outside of Umbertide! We had seen them but never visited before. They have labels much like the wine labels. I purchase one bottle.]

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Some interesting weather and pictures

We have been having summery weather with some storms and pretty sunsets. I thought I’d share a couple of photos from the last week or so. This one is a gorgeous sunset.

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Our weather comes from the west and our terrace faces that way so we are treated with seeing the storms approach. Oddly this one loomed up and over us and then disappeared. Here is one of the storm with the sun behind the cloud.

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On Sunday we planned to meet Shirley and Frank over in Montepulciano for lunch at our favorite place, La Grotta. Before we left home however, I glanced out and there was a wedding in progress. They had four of the classic Fiat 500s with white bows on them awaiting the wedding party. (the fourth one got lost, was red, and showed up later) I wished I could have seen the bride, in her voluminous dress, get into one of these babys!
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It was kind of cloudy and cool. We decided to visit a winery on the way to MonteP named Tenute del Cerro. I will only post one picture of the countryside from the winery here as we have to wait for the Wine Guy to write his post about it. It was a fantastic place.

Beautiful huh?
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Lunch was great, and to make your mouth water, here is what I had. First an interesting salad with shaved, raw asparagus, shaved parmesan, and a poached egg.

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Next Tagliatella with goose ragu. YUM!
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New Wine Guy post – Visiting a winery – Villa Mongalli

brochure copyIt’s a gorgeous day, as we head south along the E45, once the old Roman road, Via Flavia, which two thousand years ago connected Rome, on the western side of Italy, with Rimini on the Adriatic coast. Because the weather is particularly fine today, we remain on the E45 past Perugia towards Ripabianca. From here, we can put the top down and take a leisurely cruise along the SP415 through the countryside towards Montefalco and Bevagna, the land of Sagrantino. The SP415 follows a valley cut by a small creek past the lovely hill town of Gualdo Cataneo and ends just before the the unfortunatelly named town of Bastardo–yes, it means the same thing in Italian. We take the SS316 towards Montefalco and Bevagna and enter the Via del Sagrantino, the Sagrantino Road.

I’ve taken the precaution of going to the winery’s website and printing out a map. This turns out to have been a smart move, as the navigation system in the car seems convinced that the road we’re looking for does not exist. This is not unusual in Italian winery hunting as most of the wineries are truly in the middle of nowhere. We have discovered many interesting places while trying to find a place we’re interested in, if you’ll pardon that. Anyway, after a little looking, we find the correct road, which is, thankfully, paved. We follow it up a fairly steep incline to a hilltop amid the trees and go looking for the address I got from the website.

As we approach Villa Mongalli, we have our doubts, even though we know the address is correct. The winery, a wooden, barn-like structure, is framed by areas of unmown grass at least three feet high. A look around one side is both assuring and offputting; what is clearly a lovely deck with chairs and tables (winery!) had grass growing up to its floor. (out of business winery?) We might have left at that point, had we not seen a slightly opened door and two cars parked in front. Pretentious the place is definitely not.

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Entering a large open unlit room, we again experience hopes and fears: Hope, because we are clearly in some sort of tasting room with medals and articles on the walls, tables and chairs, and stacks of wine guides and reviews. Fear, because it looks a bit like the aftermath of a fraternity party, with empty bottles and glasses on most of the tables.

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From a smaller, better lit office area, a slightly built fellow with curly brown hair and intriguing grey eyes emerged and introduced himself as Pierpaolo Menghini. He and his brother Tommasso, who is also in the office, handle the everyday operation of the winery under the overall supervision of the father, who founded the operation. Pierpaolo is in charge of all things associated with making the wine; Tomasso handles sales, marketing and all things associated with the business. Pierpaolo throws open the curtains, revealing the deck we saw earlier, which presents a magnificent view of the rolling vineyards outside, gets glasses and finds a clear table. It’s tasting time.

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Our tasting begins with Calicanto, Villa Mongalli’s Trebbiano Spolentino 2013. As you probably know, I am a big fan of this grape. But, for me it is still a very satisfying surprise. The wine is big and fat in the mouth, with a substance and character that I rarely find in most white wines. It is 100% Trebbiano Spolentino grown on an a 4.4 acre segment of the winery’s 33 acres. What was particularly interesting was that the wine opened up over time: something I associate only with reds. Pierpaolo sets some aside and twenty minutes we compare it with a freshly opened bottle. The difference is impressive. The wine seemed to gain depth and strength. This is, to date, the best Trebbiano Spolentino I’ve tried. [Nancy here: Pierpaolo was clearly VERY proud of this wine. I was stunned as the aroma of the wine drastically changed as it opened up over a period of over thirty minutes. Agree with the Wine Guy, I’ve never seen a white wine do this, only the reds. Amazing]

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I noticed that many of the bottles we were tasting are unlabled. Welcome to Italy. Most of the wines made at Villa Mongalli are DOC or DOCG wines and receive the special DOC and DOCG label on the necks of the bottles. These labels are provided by the Government, which hasn’t gotten around to making them yet. Pierpaolo can’t run the bottles through the labelling machine twice, so he has to hold on to racks of unlabelled wine waiting for the labels. Ah well, as I’ve noted before: if you’re the impatient type, you better go to northern Europe. In Italy things get done when they get done.

Wine guy and Pierpaolo.
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The rest of Villa Mongalli’s vines are red. We continue with the La Grazie 2010, which is a DOC Rosso di Montefalco. Unlike most Rosso di Montefalco’s, which tend to be 15% Sagrantino and 75% Sangiovese. At Villa Mongalli, the wine is 15% Sagrantino, 50% Sangiovese and the remainder a blend of Cabernet and Merlot which Pierpaolo adjusts each year to produce a balanced, ruby wine with plenty of fruit up front. A year in large oak barrels followed by a year on the rack give the wine backbone. I imagine you could lay it down for a while, but Pierpaolo considers it his “everyday” wine and I have to agree that it’s drinking fabulously right now.

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Next, we passed to the main event, the Sagrantino. Villa Mongalli makes two Sagrantinos di Montefalco, Pozzo del Curato and Della Cima. The Pozzo del Curato is made from Sagrantino throughout the property, while the Della Cima (Italian for from the summit) comes from a 2 acre plot at the very top of the property that he points out to us from the deck. They are both prepared the same way, with three years in small oak barrels and a year in the bottle. With the air of a lion tamer demonstrating that he can keep the big cats under control, Pierpaolo pours the wines out. We let them breath for about ten minutes–always an excellent idea with Sagrantino–and taste. These are monsters. The wine is intensely ruby to purple, bursting with fruit and spices. We are drinking the 2005 vintage, but the tannic basis is still there. I daresay this wine could easily go another ten years. Pierpaolo thinks that the Della Cima has a bit more elegance and aging potential–it’s slightly more alcoholic at 14,5% as opposed to 14.0% for the Pozzo del Curato. It is hard to tell for sure. They are both fabulous. He calls these “occasion wines” and I have to agree. These are wines that are too commanding to drink as accompaniments to food. They deserve to be enjoyed by themselves. Perhaps chocolate, or very powerful cheese might work, but I think the wine demands your attention. Think port without the sweetness.

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Finally, we come to Pierpaolo’s surprise wine, the Col Cimino 2005. This is Pierpaolo’s single non-traditional wine, which he says is particularly loved by “the Anglo-Saxons”. It is a wine of equal parts Sangrantino, Cabernet and Merlot with three years of barrel age and, to me, it resembles a fine Bordeaux (please don’t tell the French I said this) with the tannins of the Sagrantino and Cabernet giving the wine a solid structure and the fruitiness of the Sagrantino and Merlot offsetting the more closed character of the Cabernet. We find it very satisfying. I’m not sure how much farther the 2005 can go, perhaps a few years, but I would say it is near perfect right now. Don’t expect any fancy labels on this wine. Because it’s not produced according to the DOC/DOCG standards it is labelled a humble IGT Rosso Umbria. It is most definitely a diamond in the rough.

After loading the car to bursting with wine, we asked if we could buy a bottle of wine and drink it with the picnic lunch we brought with us. “No problem” was the answer, and Pierpaolo fetched us a chilled bottle of Trebbiano Spoletino from the cellar. He than asked us if we’d like to take the bottles we had been tasting, most of which were not close to empty, with us! We gathered as many as we felt we could without looking too greedy. It was unbelievable.

Our table littered with half empty bottles.
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Our simple picnic of proscuitto crudo, pecorino cheeses and bread.
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For folks who are interested in this sort of thing, Via Mongalli exports solely to the Bay area in California. If you live there, lucky you. If not, it is an excellent excuse to take a jaunt to Umbria. On balance, Villa Mongalli is one of the best wineries we’ve visited here in Umbria.

Wine guy – Part 2

Another guest post from Luther the Wine Guy. WOW that was fast!


Whoops! I got sidetracked with all that DOC stuff and forgot to talk about the Umbrian red grapes, so let’s do that now…

Umbrian Grapes Redux
Sagrantino is Umbria’s gift to the red wine world. It is a monster, being considered one of the most tannic grapes in the world. Its production is extremely limited, as there are only about 100 hectares (about 240 acres) in the entire area. It produces a dense, dark wine capable of up to 16%(!) alcohol content that requires considerable aging just to get under control. The sagrantino area centers around Montefalco and Bevana, reaching southwest to Todi northwest to Perugia.

Sagrantino has been cultivated for hundreds of years in and around Montefalco, but was used strictly to make dessert and sacramental wines. (I’m told that “sagrantino” is dialect for sanctified). These wines were made in a style called passito wherein the grapes are not immediately crushed, but are allowed to dry out, increasing the concentration of the juice. This technique, which is similar to those used to make dessert wines in France and other Italian areas, is modified in Umbria in that the wine made is dry or almost nearly so. Wine made in this passito style remains popular in Umbria. I find it a little bit strange. It has the body and appearance of a port, but it lacks the sweetness. Some adventurous producers have experimented with stopping the fermentation process early, leaving a considerable amount of residual sugar. This makes a much more satisfying desert wine, which I would be proud to pour in place of an Late Bottled Vintage port, for example.

Fortunately for us big red wine fans, in the mid-seventies several sagrantino producers started to experiment with making a dry red wine from the grape. Because of the high level of tannin in the juice, the wine that comes out is almost undrinkable at first–think a zinfandel that shrinks your tongue to a sliver from its runaway tannins. But, unlike zinfandel, if you’re willing to age this stuff properly, it is fantastic. The Italian DOC requires that wines labeled “DOCG Sagrantino” be aged for a minimum of 29 months. What comes out in my opinion is still pretty raw. I have tasted these young ones. The fruit is there, but the body lacks substance and the tannins are still screaming away. After another three or four years, things are starting to smooth out and the result is, for me, like a very fine cabernet, but with a touch more fruit and less of that austerity that cabernet frequently exhibits. For those with less patience, most producers also offer a Riserva that undergoes several years additional barrel aging. Be aware though that there is no “Sagrantino Riserva” DOCG and so “Riserva” means whatever the producer says it means–it’s not a well defined turn. Nancy and I have been drinking the 2007 Adanti Sagrantino di Montefalco “Adanti” and it is fantastic. Better still, it’s sold in the USA, so you might be able to find some. Give it a go and let us know. Here is the half bottle of passito and the Adanti next to it.

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Although sagrantino is the big dog in the Umbrian kennel, the most ubiquitous red grape in Umbria, indeed in just about all of central Italy, is sangiovese. Most folks know sangiovese from the red wines of Tuscany, some which are exclusively sangiovese (Brunello di Montalcino, the Cadillac of traditional Tuscan winemaking), or the backbone of a blend of wines such as Chianti or Vino Nobile di Monepulciano. In most of Umbria, sangiovese is used to make round, juicy, fruit-forward wines that are a pleasure at a fairly early age. Most sangiovese sees very little barrel aging and is blended with local Umbrian grapes such as canaiolo and colorino, two grapes also used to make Chianti.

Sangiovese comes to the rescue of impatient sagrantino fans who just can’t let those bottles sit around the house that long. It is used to blend out a bit of the blast of young sagrantino and is usually blended about 60% sangiovese and 15% sagrantino with other grapes, primarily merlot to make Montefalco Rosso. There are two DOCs for Montefalco Rosso: the DOC Montefalco Rosso calls for a minimum of 18 months barrel aging, the DOC Montefalco Rosso Riserva requires a minimum of 30 months.

I am a huge fan of Montefalco Rosso. It is a remarkable red with excellent aging potential but without the tannin explosion associated with sagrantino. The Montefalco Rosso DOC is an excellent food wine at a ridculously reasonable price–we usually pay about 8 – 10 Euros a bottle for it ($9 – $11). With 30 months in the bottle, the riserva is a noble wine all by itself. Because I like my wines huge and with some fruit–I am a major zinfandel fan–the sagrantino rates tops for me. But some folks prefer a wine a little more austere and elegant, and the riserva nails this. It is probably Umbria’s best wine value.

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There are excellent producers of sangiovese-based wines across Umbria, but the most famous has got to be Lungarotti, based in the town of Torgiano, just a few miles south of Perugia. Lungarotti owns hundreds of acres of vineyards all over Umbria, with by far the major proportion around Torgiano. Lugarotti is huge, producing over 2.5 million bottles a year: almost triple the next major producer. Lungarotti’s sangioveses are considered so good that they have their own DOC, Rubesco di Torgiano and DOCG, Rubesco di Torgiano Riserva. Like the Rosso di Montefalco, the DOC Rubesco is a blend of sangiovese (75%) and the local grapes cannaiolo and colorino I mentioned earlier. It gets a year of barrel aging and another year in the bottle before release. The riserva requires four years in wood and comes exclusively from a single 120 acre property named (oddly enough), Rubesco. (For those trivia followers, Rubesco is an invention based on the latin word rubescare, to blush) I first sampled Rubesco maybe twenty years ago and I have loved it ever since. It used to be very widespread in the states. I could still find it in the Washington DC area if I looked, but it’s not as available as it used to be. Get some: you’ll like it.

All right. That’s enough of the tutorial. In the next segment I’ll talk about some of our field trips.


I hope you all enjoyed the second segment about Umbrian wines. I myself, am looking forward to doing some field testing for future articles!

Guest post from Luther the wine guy

People have been asking for a post about the wines around here. Luther has worked a WHOLE year on this and here is part one…



Wines of Umbria

Alright, already! I’ll write something now that I’ve had enough time to make a basic study.
Before we dive into the visits, here’s a bit of an introduction to Umbria and it’s wines. Geography lesson first.

Umbria
Here’s a map of Umbria. Like every other province in Italy, Umbria produces an ocean of wine, from the really good stuff to the ho-hum. Most of the really good stuff comes from a band stretching from Montefalco in the east to Orvieto in the west.

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Montefalco and the area around it specializes in red wines, although plenty of white is made there too. The production slowly switches to white as you cross to Orvieto, although Orvieto also makes some very nice red wines. There’s a lot of wine made in Umbertide, our neck of the woods, but as you can see, we’re a bit north of the big leagues. For the curious, Tuscany with its Chiantis, Brunellos and Montepucianos lies just to the west of Umbria. To the east, you’ll find the Marche, which is known primarily for the white Verdicchio grape and the red wines from around Ascoli Piceno. If you’re wondering about the green part, Umbria has two provinces, Perugia and Terni. I’ll leave it to the reader to figure out which is which.

Umbrian Grapes
That’s enough geography for now, let’s talk grapes: There are four major grape types cultivated in Umbria: Sagrantino (red), Sangiovese (red), Grechetto (white) and Trebbiano (white). The DOC laws (more on this later) governing Italian wines require that these grapes form the majority of all red and white wines getting the DOC pedigree in Umbria. Lots of other grapes are allowed: in particular, merlot, cabernet sauvignon, chardonnay and sauvignon blanc. There are some adventurous winemakers, particularly in the southwest, who are making excellent wines based on Chardonnay, Cabernet and Merlot in particular and we will visit several, but let’s stick to the big boys for now.

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Grechetto is the main white grape of Umbria and has been here since grapes and olives originally came to Umbria with the first Greek traders, who brought them from the colonies in the south of Italy in the 7th century BC. Grechetto has a deep straw color and has a minerality that I find particularly refreshing. It provides structure to any blend due to its relatively high alcohol content. Grechetto is the primary slamming down white of Umbria. You can get it out of wine shops by pump–yes, just like a gas pump–at about $1.50 a liter. When grechetto is made from older vineyards and the grapes are carefully selected, it makes excellent varietal wines, both alone or blended with other variatals. Grechetto ain’t Chambertin, but it can be quite tasty and is never particularily expensive. Very nice grechettos can be had here for about $5.00 a bottle.

Trebbiano is the other main wine grape of Umbria. It is fresh and fruity, with low acidity and a yellow color. Trebbiano goes back to Roman times and is one of the most widely planted grapes in the world, appearing in everything from balsamic vinegar (good!) to cognac (very good!) to industrial alcohol (unfortunate). Outside Italy, most trebbiano is undistingished and usually blended or distilled. In Italy, however, trebbiano can be a heavy hitter, appearing in Italy’s admittedly rather small list of really interesting white wines. Umbria boasts two excellent versions of trebbiano: Trebbiano spolentino, which (they tell me) is a unique form of the grape native to the area around Spello but present across southern Umbria and procanico, another unique (they tell me) Umbrian native version of trebbiano. These two, along with grechetto, form the basis for the wines known as Orvieto.

Wine Labeling
Years ago the Italians realized that if we foreigners keep associating Italian wines with the crap that appears in those straw covered bottles labelled “Chianti” they are never going to sell anything but their cheap sludge outside the country. To ensure that buyers didn’t feel like they needed to try the wine first on an unwanted family pet, the Italian government adopted a set of labelling standards known as the Denominazione di Origine Controllata (DOC). Each DOC governs a particular geographic region. In order to receive the DOC label for a region, the wine inside must adhere to government-defined quality standards for wines of region that specify: the origin of the grapes used (no sneaking stuff in from other places); the types of grapes that can be used (no slipping the cheap grapes in with the good stuff); the yields per acre (minimizing the juice from younger vines, which tend to yield higher, but poorer quality, wines than older vines); the percentages of allowed grape types in the wine, ensuring that blending wines stay blending wines, not the dominant grape in the bottle; and a whole bunch of other quality factors. DOC wines have the phrase Denominazione di Origine Controllata on the front and back labels and the name of the actual DOC. The presence of a DOC on a lable doesn’t guarantee a good wine, but it does indicate that the wine has been made from known components in a quality fashion. If you find yourself having to guess about a wine, you really can’t go wrong by opting for one with a DOC label on it.

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So you know where they are, here’s a map of Umbria with its DOCs.

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The DOC has been such a success in establishing Italy as a maker of quality wines commanding corresponding prices that the Italian government has upped the ante, introducing a much more exacting standard, the DOCG (Denominazione di Origine Controllata e Garantita). This term is for the wine regions or types considered particularily fine and adds further restrictions to the DOC standards. In addition to passing the more stringent standards, wines receiving the DOCG are rigorously tested during prooduction and submitted to a panel of tasters. There are a very limited number of DOCGs. Umbria, for example, has only three. As above, when faced with unknowns, go for the DOCG, if available. It will cost a bit more, but it figures to be extremely well made.

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At this point you might be saying to yourself: Wow, I can become an afficionado just by knowing how to read the labels. Well, yes and no. The DOC/DOCGs are based on traditional Italian winemaking. For example, most traditionally great red wines from Tuscany are based primarily on the sangiovese grape, and to receive the DOC/DOCG, most DOC/DOCG red wines must be mostly, if not entirely, sangiovese based. In the last thirty years, winemakers have discovered that french grapes such as cabernet sauvignon and merlot also do very well in Tuscany and make tremendous wines, the so-called Supertuscans. Under the DOC/DOCG rules, these wines don’t qualify and in the past the winemakers were forced to lable these wines “Vino di Tavolo”, i.e., table wine. Not what you expect to see on the lable of a $100+ wine at all. To provide a little official cover for these winemakers, the label was borrowed from the food producers–it is used to indicate a local product of particular quality and shows up on things such as sunflower oil.

End of Guest Post


There will be a part 2. I hope it doesn’t take another year!

Monte Vibiano

House Update
It has been raining for the last two days. Progress in the house: electrician is nearly done. They have finished the plumbing hookups in the kitchen but the oven is out of the cabinet and in the middle of the floor. I guess they are having problems with the gas hookup or something. They moved the bed, mattress, dresser, shelves for office, table and chairs into the back. They are nearly finished painting the living room which is the last room. I am still unclear as to how they will refinish the floors. I don’t think it will be ready this week but we shall see.

Visit to Monte Vibiano winery
Today was a beautiful day. We were meeting Gary and Susan and their guests from California, Gina and Mark. We had reservations to take the full tour of the Monte Vibiano winery. This entailed driving golf cars up into the vineyards and olive groves. They insist they are NOT golf carts but oddly enough the center of our steering wheel had a little clip to hold a score card. Hmmm. There was another group from Sweden, maybe 10 or 12 people. We all piled into the carts and off we went up through the village on tiny streets and into a beautifully manicured vineyard and olive grove. It was such a pretty autumn day with bright sun and still some color. Here are some pictures.

Row of golf carts.

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Four hundred year old olive tree.

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Autumn vineyards.

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Narrow path we drove into the vineyard.

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After we returned we went on a tour of the winery. Here are the French oak barrels in which they age the wine.

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Then we tasted their four wines along with some of their olive oil. They have an interesting way with their oil. They put it into tiny bottles (10ml I think they said or one serving size) and then freeze it. They claim this keeps it as though it just flowed out of the presses. Could just be a gimmick but who knows! They have great marketing.

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After we left we headed to Panicale, which was pretty close, for lunch. Our intended restaurant was closed but there was another one in town so we ate there and it was good if not great. A lovely day and we enjoyed getting to know Gina and Mark.

Gina and Mark had brought cranberries and allspice and cloves with them for my zinfandel cranberry sauce which I just finished making. Thanksgiving is just a week away and the preparations are underway.

Cantine Aperte a San Martino

Yesterday was Sunday, November 16 and there was a festival called Cantine Aperte a San Martino or Cellars open for St. Martin. We had gotten a brochure with the participating wineries and a map from a winery we visited last week. It was organized by Movimento Turismo del Vino Umbria. We had planned to visit one or two wineries and then have lunch and then maybe visit another.

The weather was threatening. The first place we went was just south of Perugia and it was closed (!) and it was supposed to be participating. So we headed south near Todi. This one was called Roccafiore. It was quite an operation. When we arrived it was raining and after going inside where they have a gourmet restaurant, spa and hotel, we found out they, too were not opening the Cantina because of the rain. Shoot. We called and made reservations for lunch and decided to try one more. This one was called Tenuta San Rocco – a cluster of confusing buildings and it was POURING rain. Finally we found their make-shift tasting area which was in a newish building with the bottling machines. The man was very friendly and there was another guy and a young woman there. They not only served us wines but also two breads, a sweet, nutty cookie, and hot bruschetta and then they roasted chestnuts on a little brazier right there on the floor!

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Chestnuts in a cup.

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One of the wines was the Vino Novello which is almost exactly like Beaujolais Nouveau from France. Very young and meant to be drunk right away. It was fresh and good. They explained that it was due to the St. Martin festival that they had olive oil, chestnuts, and new wine as it is the tradition. I found it all charming. They harvest everything by hand. At the end Dottoressa Grassini who is the owner and enologist came and met us. She also was very welcoming. All in all a very fun experience.

New wine.

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Off to lunch at Locanda Rovicciano in Castel Ritaldi. We found it in our Gambero Rosso Ristoranti d’Italia book. Excellent restaurant. We were seated in a room with a big fireplace. I bet it would be cozy in the winter. There were large Italian families dining and many children. It was fun watching them. The kids were pretty well behaved and could go outside and blow off steam while their parents ate and drank wine. The table in our room had four women and four men. The four men sat at the end of the table, then the four women all together, and then the kids. So strange. We would never seat ourselves like that in the States.

I had the quail eggs with white truffles. They were fried and place on top of toasted bread with shaved truffles. Yum!

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Luther had Maltagliata which means “badly cut”. And it was very irregular. It had onions and bacon.

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I had the spit roasted Quail for an entree and Luther had grilled lamb. He pronounced it the best lamb he’s had here. My Quail was tiny and crispy and smokey flavored and not too much food. It was wrapped in bacon and I am pretty sure roasted over a wood fire. Very Very good. My Quail.

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Here is the sky just before we went into the restaurant. Spooky!

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All in all a fun day. This coming week will see us moving into our own place, or so we hope. I finished unpacking what I could unpack so there are not so many boxes. We went shopping Saturday and bought a vacuum cleaner. A Dyson Animal. We hope that will help us keep up with the cat hair.

Beautiful Fall day!

Yesterday (Sunday) we decided to visit a restaurant with Susan and Gary that was recommended by our local Enotecca and also visit a winery in the Cannara area. This town grows the famous Cannara sweet onions to be found only here in the world! The weather was just spectacular for November 9. Warm enough for shirt sleeves and with that lovely Autumn slanting sunlight on the grapevines that have turned red and yellow.

First the winery. We headed up into the hills and stopped at an ultra-modern winery. It was not the one we intended to visit which was further down the road. This one, Tenuta Castelbuono had an enormous tasting room and some sculptures. I cannot imagine how much it must have cost. Perhaps it is um, money laundering? Anyway, they had two Sagrantino wines which we tasted and bought. Here are pictures.

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ENORMOUS tasting room.

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Click to appreciate the colors of Autumn.

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The structure was designed by a sculptor. Very unusual.

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After we visited this winery there were few others open on Sunday so we went to Cannara of onion fame. We drove into this little town which is situated on the Topino river, another St. Francis town with two medieval churches and the site where he gave his sermon to the birds. It used to be to be a lake until it was drained in the Middle Ages. We passed a sign advertising onions or Cipolla for sale. Couldn’t pass that up – world famous and all! We rang the bell and the lady came out and took us into the shed. As we entered the gate another car stopped with a family inside and asked us if they sold onions. We said yes and he was thrilled and gave out a Bellisimo and stopped to buy also. Only Italians would get this excited to buy onions. The lady began scooping onions into a bag, and scooping, and scooping! 2 kilos later (about 4 lbs) we left. Fun.

Now onto our restaurant called Hazienda Ristorante Cafe. What else would you name an Italian restaurant? It was one of those holiday places. It had apartments to rent for holiday makers and a swimming pool, great views of Assisi up on the mountain. We ordered the 4 course degustation menu. After we ordered the owner warned us that it was a LOT of food. Uh oh. Well it was a lot but we managed it. No picture, sorry. We had an antipasti with several fried specialties like onion rings (famous onions!) fried sage leaves etc. Next was a pretty plate with three fried dough circles on which were three poached (famous) onions on top of a parmesan cream sauce with drizzled balsamic (heaven!). Next were Raviolis in a parmesan cream sauce. The Secundo or main course was supposed to be horse but we couldn’t deal with that and had them substitute lamb, grilled, not great. Over done and gristly but thankfully not a lot to eat. We skipped dessert. Burp!

Back in Umbertide they were having a big market with clothes, jewelry, roasted chestnuts and peanuts. Happening place. Pictures.

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Chestnuts being roasted.

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Today, Monday, always a slow day. BUT it was an unusual Monday because our kitchen was due today!! I went over to the house to grab some things I needed and take a little walk. They were washing the floors in preparation for the kitchen.

We also got good news from Gary that Luther’s long-in-coming medicines had been delivered to him (2 months!). It is so funny, Luther’s name was on the package, we had my sister send it to Emanuele’s office but no-one was there. BUT they knew other Americans lived nearby and they MUST know the recipient so went to Gary’s house. He paid the duty and we met on the Piazza to take delivery and pay. Also Susan brought me my share of the Famous Cannara onions. Now I need to figure out how to fix them to take advantage of their special qualities.

Here is the Pedini truck delivering our KITCHEN!!!

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I’ll go over tonight to see the progress. So exciting!!

Another day, another winery and lunch :-)

So Luther decreed that we had to go buy some more wine. He chose a place or two down in the Sagrantino wine district. It takes about 45 minutes to get there from our house. The day was fine. We found the first winery called Particaia which means plough. When we exited the car we were assailed with the overpowering odor of the new harvest of crushed grapes. The older gentleman who met us at the door of the office was super nice. He took us to the big building to see the vats with the piles of grape peels and juice.

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Then we walked up to the tasting room where he showed us the previous years harvest aging in French oak.

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We tasted three wines and bought a couple of cases. The old gentleman turned out to be the owner and vintner! He was super welcoming and I have to say, his property is beautiful.

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They had a dog. His name was Flick. He reminded my of my dog growing up, Cricket.

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We went to one more winery. They were not as welcoming. In fact they pointedly looked at their watch when we arrived at 12:15. I guess lunch was getting near and they didn’t want us hanging around.

Next came the really big adventure. We were looking for a restaurant called Ristorante 4 Piedi & 8.5 Pollici. It means the restaurant of the 4 feet and 8 1/2 thumbs. I have no idea why they call it that. We had a map from the internet. We tried to use the GPS but it didn’t recognize the street. We drove up to a small hill town but we knew that was wrong so went back to Bastardo. Yes it’s really called that! It is an unattractive town with little to recommend it. The review we read said the restaurant was hard to find. Boy were they right! They said it was in a strip mall. Well after driving slowly around the streets and asking two people we finally found it behind some big tents and in back of a big supermarket. There were no signs for it anywhere. Typically Italian.

It is a quirky place. Strangely decorated. The people were friendly and welcoming. There is no menu. They come out and recite what they have. We chose the Antipasti to share and a pasta. Hand made Strangozzi pasta (local specialty) with onions and ham. The Antipasti was a multi-course affair. Here are pictures and descriptions. It was a great lunch.

Started with a plate of ham, mortadella, mozarella, a grilled mushroom which was spicy and a round of bread with melted cheese inside. I didn’t take a picture of that plate. Next were slices of pecorino cheese with two little dishes, one home-made applesauce and the other a conserve of something I couldn’t place. They both paired with the cheese nicely.

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Next was a hot plate with melted cheese over a bread.

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Decor included big, hand drawn figures. This one, Captain Hook.

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Wonderful faro with vegetables. SO good!

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Finally the home made pasta.

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Today I didn’t go to the apartment. I decided to let them make a little more progress and go tomorrow. Pictures to follow.